Interview with Yad Deen: Filmmaker Behind the Short Film, ‘Carga’

CARGA THUMBNAIL

Interview by Lorna Codrai

Yad Deen, the director, writer and producer of Carga, talks to us about the inspiration behind his latest short film and his experience transitioning from documentaries to fiction. Carga follows couple, Marta and Juan, two young journalists to an abandoned cigarette factory to uncover its secrets. Deen explains, “we hit a bit of a niche here, making a Spanish thriller in Iraq — it’s intriguing.” It certainly is but more so due to the film’s location.

The former cigarette and tobacco factory in Sulayminyah, Iraq was left abandoned for over a decade with rumours of a reopening, then further talks of demolishing it. However, a local NGO saved the 1950s complex in late 2018 and the Kurdistan Regional Government has dedicated millions of dollars to transform the area into a culture city. Talk about a new lease of life!

The film is currently unreleased but it recently announced its Scandinavian premiere at the Annual Copenhagen Film Festival in March, where it has been nominated for Best Short Thriller. It was also screened twice this month during the San Francisco Independent Film Festival. Yad Deen was kind enough to speak to us about Carga and his experience of shooting the film.

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RIP Albert Finney

Renowned British actor, Albert Finney, tragically died today after a short illness. He was 82 years old. Finney had a long and established career, which began in the theatre, before switching to roles in film. He attended the Royal Academy of Dramatic Art in London, England and became a prominent film actor in the 1960s, emerging as an original “angry young man” actor of the period. His debut performance on film was in Tony Richardson’s The Entertainer (1960) and he became known for a variety of roles with a career spanning six decades.

His incredibly impressive filmography consists of: Saturday Night and Sunday Morning (1960), Tom Jones (1963), Two for the Road (1967), Scrooge (1970), Murder on the Orient Express (1974), Annie (1982), The Dresser (1983), Miller’s Crossing (1990), Erin Brockovich (2000), Big Fish (2003), A Good Year (2006), The Bourne Ultimatum (2007), Before the Devil Knows You’re Dead (2007), and the 2012 James Bond film, Skyfall.

Finney has been nominated for five Academy Awards. Four times for Actor in a Leading Role, for Tom Jones (1963), Murder on the Orient Express (1974), The Dresser (1983), and Under the Volcano (1984). He also received a nomination in 2000 for Best Actor in a Supporting Role for Erin Brockovich. In later years, he declined a CBE and a Knighthood.

Albert Finney was something special and, in many ways, underrated. His five-time loss of an Academy Award can attest to that. He could do so much with so little and, no matter the role, he was irreplaceable. You couldn’t take you eyes off him. Whether he was silently pensive in the background or screaming in another actor’s face, Finney was always your focus. A tremendous loss to cinema and British film history.

“I don’t think that we necessarily lie. I mean, we make our living by pretending that we’re someone else. I don’t tell tall tales. I always tell the truth.”

1936 – 2019

Albert_Finney_1966

 

RIP Stan Lee

To an icon.

To a universe he created.

To a legacy he leaves behind.

To a life well lived.

To Marvel’s original and greatest hero.

“I used to be embarrassed because I was just a comic-book writer while other people were building bridges or going on to medical careers. And then I began to realize: entertainment is one of the most important things in people’s lives. Without it, they might go off the deep end. I feel that if you’re able to entertain people, you’re doing a good thing.”

1922 – 2018

ABC's "Fresh Off the Boat" - Season Three

Excelsior!

How does Blade Runner make use of film noir conventions?

Ridley Scott’s 1982 film Blade Runner is considered today to be a classic of the science fiction genre, but the film also makes use of some conventional film noir themes through its characters and its strong, visual style. Mixing the classic genre of film noir with science fiction, Blade Runner is a generic hybrid, and I will explore which aspects of the genre the film makes use of.

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